Screaming Headless Torsos 1995 Rar
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This is the record that started it all. In 1995, the Screaming Headless Torsos burst out with their eponymous debut on Discovery. Guitarist David 'Fuze' Fiuczynski, who had been active as a sideman for other players, finally stepped into the limelight. His virtuosity and versatility perfectly suited the open-ended project, a quintet lineup with Dean Bowman on vocals. Alongside reworked versions of Bill Evans and Miles Davis tunes, the Torsos laid down ten originals spanning the range from dirty funk to shimmering metal. As they put it up front in 'Vinnie,' their sound resembles 'jazz funk thrash rock.' Now, six years later, Fiuczynski has reissued this record as 1995 on his Fuzelicious Morsels label.
Screaming Headless Torsos 1995
The newly remastered version adds a couple new tunes, including a twisted cover of Hendrix's 'Little Wing' and the angular closer 'Something.' But it's essentially the same music, and an ideal introduction for new listeners curious about Fuze's iconoclastic style. Bowman's vocals pause for scattered moments of seriousness, including a lyrical requiem for Sarajevo, but more often speak brightly about the joys of life and the redeeming powers of music. For example, on 'Free Man,' Bowman declares: For twenty long years, I had a secret: I could not read music. But now, thanks to Hooked On Funk, I'm a free man! The Torsos profit from a solid lineup, including the wide-ranging Jojo Mayer on drums. Daniel Sadownick adds significant depth on percussion, texturing the music but never interfering with its forward thrust.
Freedom Bremner Screaming Headless Torsos
But what marks this group is that they're completely together. Despite all the many detours into unknown territory, the Torsos operate as a group, not an ego vehicle for Fuze's monstrous musical powers or Bowman's vox populi. Much of 1995 will grate on sensitive ears, and jazz purists would best be advised to keep a safe distance.
Freedom Bremner
But for listeners like me, who quickly tire of safety and conformity, the Screaming Headless Torsos remain a revelation of the highest order. Their first record deserves a careful listen and withstands hours (years!) of repeated play.
Visit on the web. I love jazz because it is not boring. I love music where improvisation is the name of the game.
I hate trying to slavishly duplicate someone else's version just because they're famous. I'd rather absorb and internalize their ideas and have them come out in my own voice.
I love having a conversation with the other musicians. I love having a huge repertoire that I can play, instead of a few “perfect” concertos, and I love the emotional, rather than cerebral, aspect of this music, yet without resorting to cliche'd emotional gimmicks. Netter interactive atlas of human anatomy v3 0. I love being with people who are dedicated to the craft, and I love striving for the virtuosity necessary to perform this music as it deserves. By Member since: 2016.